Omaggio a Cremona 2025

“Omaggio a Cremona”: Accardo, Giuranna and students on stage

A dual thematic thread ran through the traditional concert held on 29 May at the Giovanni Arvedi Auditorium of the Museo del Violino: a tribute to the city of Cremona and the celebration of the first forty years of the Stauffer Academy. Taking centre stage were Salvatore Accardo and Bruno Giuranna, alongside the Academy’s students, who brought to life Anton Arensky’s Quartet No. 2 in A minor, Op. 35 — a refined example of late Russian Romanticism — and the celebrated Piano Quintet in E-flat major, Op. 44 by Robert Schumann, one of the most beloved works in the nineteenth-century chamber music repertoire.

Omaggio a Cremona 2025 2
Omaggio a Cremona 2025 Museo del Violino

“The Stauffer Academy was born of an idea by Andrea Mosconi,” recounts Salvatore Accardo, “a man of rare sensitivity and a very dear friend of mine. He spoke to me about this idea, and we were able to bring it to life straight away. He gave me complete freedom — especially when it came to choosing the teaching staff. I immediately thought of Giuranna for the viola and Petracchi for the double bass, both of whom were already teaching in Cremona, and of Filippini for the cello. With him, with Bruno and Franco, I had shared many years of music — we had performed together countless times. All three of them accepted the invitation with great enthusiasm, and that’s how we began. That’s how the Stauffer Academy came into being! What we created, above all, was an institution that could enjoy complete freedom. From the very beginning, the four of us decided we didn’t want any constraints — no ministerial interference, no bureaucratic red tape — when it came to programmes, exams, or anything else. We all shared the same philosophy of teaching. We wanted—and still want — to be free to organise our work according to our own principles, our own choices, including the selection of students: those with the right qualities. Teaching here is a joy — it’s an Academy of excellence, where everything is dedicated to music, and where the focus is entirely on young people and their development.”

Omaggio a Cremona 2025 Salvatore Accardo

Bruno Giuranna, for his part, expresses his deep passion for teaching: “At the beginning of my career, I had decided to continue with composition, encouraged by my harmony and counterpoint teacher, Alfredo de Ninno. It was he who urged me to take the teaching exam at the Milan Conservatoire, which I passed. And I became passionate about it—I enjoyed teaching, even though I was barely in my twenties. I teach because I enjoy it—in fact, I love teaching. No, that’s not quite right—I don’t just love teaching, I love seeing my students make progress! Although many years have now passed,” the great violist continues, “I still feel as if I’ve never stopped sitting exams myself. Aside from concerts, even today, when I walk into a class for the first time or meet new students, I feel like I’m the one being tested. I want to understand who I have in front of me—what each of them might need and how I can help them. Eventually, I came to realise that it’s not those around me putting me to the test, but myself—with a self-critical attitude that makes me demanding, both of myself and of others.”

Omaggio a Cremona 2025 Bruno Giuranna
Omaggio a Cremona 2025 Museo del Violino