Advanced Programme

Concertmaster

Concertmaster

All courses

Concertmaster

All courses
PERIOD

From October 2026 to July 2027


REGISTRATION DEADLINE

July 13, 2026

The course is entirely dedicated to the professional training of the Orchestra Leader and features Concertmasters from principal European orchestras and renowned conductors.

From the refinement of technical-musical skills to the study of the specific repertoire, from the preparation of orchestral excerpts and solos to the development of leadership and the management of communication between the Orchestra and the Conductor, the course delves into the peculiarities of this important professional figure. The programme also includes several orchestral productions with the Stauffer String Ensemble, allowing each student to assume the role of Concertmaster.

Thanks to the support of the Stauffer Foundation, all the courses of the Academy are tuition-free. In view of this, students are expected to commit fully to the Academy’s educational programmes, comply with the attendance requirements and show a proactive and engaged attitude towards the activities that are planned to foster their artistic growth.


Academic Year 2026-27

Lessons Schedule:

  • 3-4 October 2026  – Leadership Workshop (with Marshall Marcus, Executive & Artistic Director EUYO | European Union Youth Orchestra)
  • 4-7 October 2026 – Andrea Obiso I, Accademia Nazionale di Santa Cecilia
  • 29 November – 2 December 2026 – Laura Marzadori, Teatro alla Scala
  • 7-11 December 2026 – Gordan Nikolić, Netherlands Chamber Orchestra | Artistic Project #1
  • 20-23 January 2027 – Jiyoon Lee, Staatskapelle Berlin
  • 22-25 February 2027 – Andrea Obiso II, Accademia Nazionale di Santa Cecilia
  • 15-19 March 2027 – Kolja Blacher, Conductor | Artistic Project #2
  • 20-23 April 2027 – Ayako Tanaka, Orchestre National de Lille
  • 17-20 May 2027 – Roman Simovic, London Symphony Orchestra | Artistic Project #3
  • 3-6 June 2027 – Vesko Eschkenazy, Royal Concertgebouw Orchestra
  • 28 June – 1° July 2027 – Anton Barakhovsky, Symphonieorchester des Bayerischen Rundfunks

Academic Year 2025-26

Andrea Obiso (I) – Accademia Nazionale di Santa Cecilia

  • 21 – 24 October 2025

Laura Marzadori – Teatro alla Scala

  • 9 – 12 November 2025

Roman Simovic – London Symphony Orchestra

  • 9 – 13 December 2025 | Orchestra Project

Jiyoon Lee – Staatskapelle Berlin

  • 26 – 29 January 2026

Andrea Obiso (II) – Accademia Nazionale di Santa Cecilia

  • 17 – 20 February 2026

Vesko Eschkenazy – Royal Concertgebouw Orchestra

  • 10 – 13 March 2026
  • 20 – 24 April 2026 | Orchestra Project

Sarah Nemtanu – Orchestre de Paris

  • 18 – 21 May 2026

Noah Bendix-Balgley – Berliner Philharmoniker

  • 15 – 18 June 2026

 Jean Christophe Spinosi

  • 3 – 7 July 2025 | Final Concert 

How to apply

The courses are open to students of all nationalities, not older than 35 at the application deadline.

Applications must be submitted online by no later than 11:59 PM on July 13, 2026, by completing the form through the button “Apply” and attaching the following documents:

  • Copy of a valid ID;
  • A copy of the diploma or certificate of studies;
  • A curriculum vitae, preferably with a list of the studied repertoire;
  • A link to the video recording (see below).

A non-refundable annual registration fee of EUR 55.00 is required when submitting the application.

Tuition fees are fully covered by the Stauffer Foundation; travel, accommodation and living expenses in Cremona are to be borne by the students.


Entrance exam

The admission exam consists of a video audition. The candidate must create a link to a YouTube video, to be included in the application form, specifying the programme in the description of the video. The requirements for video recordings are described on this page.

Concertos:

  • Exposition and Cadence of Mozart’s Concerto No. 4 or 5;
  • Exposition of a Romantic Concerto.

Piano accompaniment is not mandatory but strongly recommended.

Required orchestral excerpts and solos:

  • Strauss: Don Juan (First page, from the beginning to the 13th bar after C);
  • Rimsky-Korsakov: Scheherazade, mvt. II (mm 1-5).

One orchestral excerpt to be chosen from:

  • Beethoven: Symphony No. 9, mvt. III (mm 99-114);
  • Schumann: Symphony No. 2, mvt II (mm 1-54);
  • Tchaikovsky: The Nutcracker, Overture (last 49 bars, upper staff);
  • Verdi: La forza del destino (mm 9 – 43);
  • Verdi: Traviata, Prelude from Act III.

One solo excerpt to be chosen from:

  • Haydn: Symphony No. 6 “Le Matin,” mvt II (mm 18-43);
  • Brahms: Symphony No. 1, mvt II (from letter E to the end);
  • Tchaikovsky: Swan Lake, Suite No. 4 (from number 26 to the end);
  • Strauss: Ein Heldenleben (no. 22 – 32).

The Stauffer Academy does not provide scores; the candidate may choose the relevant edition.


Discover the Faculty

Andrea Obiso

Born in 1994, Andrea Obiso is one of the youngest violinists in the world that received his first major degree with honors...

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Laura Marzadori

Laura Marzadori (Bologna 1989) joined the Scala Theatre Orchestra as leader violin in 2014, at just 25 years. Before taking up this position she played only...

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Gordan Nikolic

Gordan Nikolić is one of the most precious violinists of his generation. He was born in Brus in 1968 and...

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Jiyoon Lee

First concertmaster of Staatskapelle Berlin, Jiyoon Lee has firmly established herself as one of the most versatile and multifaceted artists...

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Kolja Blacher

Kolja Blacher studied at the Juilliard School of Music with Dorothy DeLay and with Sandor Vegh in Salzburg. He performed...

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Ayako Tanaka

Ayako Tanaka, born in Osaka, studied with Tibor Varga and pursued advanced studies at the Conservatoire National Supérieur de Musique et...

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Roman Simovic

Stauffer Professor since 2021. Roman Simović’s brilliant virtuosity has taken him throughout all continents performing on many of world’s leading...

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Vesko Eschkenazy

Born in Bulgaria in 1970 into a family of musicians, still a child, Vesko Eschkenazy appeared as an orchestra leader. At...

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Anton Barakhovsky

“A violinist ahead of his time” was the headline above the Washington Post’s review of Anton Barakhovsky’s debut recital at the...

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